Circe Invidiosa #8

by John William Waterhouse

Title

Circe Invidiosa #8

Artist

John William Waterhouse

Medium

Painting

Description

John William Waterhouse Circe Invidiosa
Circe Invidiosa is a painting by John William Waterhouse completed in 1892. It is his second depiction, after Circe Offering the Cup to Ulysses (1891), of the Greek mythological character, Circe, this time while she is poisoning the water to turn Scylla, Circe's rival for Glaucus, "into a hideous monster". Anthony Hobson describes the painting as being "invested with an aura of menace, which has much to do with the powerful colour scheme of deep greens and blues [Waterhouse] employed so well". Those colours are "near stained glass or jewels", according to Gleeson White. Judith Yarnall also echoes the sentiment about the colours, and mentions an "integrity of line" in the painting. She says that taken as a pair, Waterhouse's Circes prompt the question: "is she goddess or woman?"
Circe Invidiosa is part of the collection of the Art Gallery of South Australia, which also owns Waterhouse's The Favourites of the Emperor Honorius.
Waterhouse later returned to the subject of Circe a third time with The Sorceress.
John William Waterhouse was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heyday in the mid-nineteenth century, leading to his sobriquet "the modern Pre-Raphaelite". Borrowing stylistic influences not only from the earlier Pre-Raphaelites but also from his contemporaries, the Impressionists, his artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.

Born in Italy to English parents who were both painters, he later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Later on in his career he came to embrace the Pre-Raphaelite style of painting despite the fact that it had gone out of fashion in the British art scene several decades before.

Although not as well known as earlier Pre-Raphaelite artists such as Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, Waterhouse's work is currently displayed at several major British art galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009.

Uploaded

May 27th, 2015

Statistics

Viewed 4,004 Times  -  Last Visitor from Ottawa, ON - Canada on 04/19/2024 at 3:14 PM

Colors

Embed

Share

Sales Sheet

Tags